John Finnemore on the French horn/cor anglais:
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@earwigplanet @davep nope. that's not the reason for the F
@zzoo
@earwigplanet @davep
It's because of how you hold it
But seriously F is the key, since original horns didn't have valves composers would have two sets of two horns and they would fill in the gaps that each key couldn't play. Mozart had some exceptional pieces where this takes place.
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John Finnemore on the French horn/cor anglais:
"I was idly wondering why the cor anglais has a French name meaning ‘English horn’, and the French horn has an English name meaning… well, ‘French horn’. I looked it up, even though I knew there would just be some reasonable but rather dull explanation.
"There isn’t. There is a completely bonkers explanation, in both cases. Here’s the first.
"So. The cor anglais isn’t English, or French. But that’s nothing, because another thing it isn’t is… a horn. It’s basically an overgrown oboe, and it’s from Silesia. But being thin with a bulb on the end, it looks a little like the trumpets angels are shown playing in medieval art.
"Or at least it did to the Germans, who started calling it the Engellisches Horn, or angel’s horn. Can you see the hilarious misunderstanding that’s about to happen? Well, that happened. The Italians thought the Germans called it the English Horn, so they translated it to corno inglese. The French got it from the Italians, and called it the cor anglais. The British got it from the French, and presumably stared at it, thought ‘We can’t call that an English horn! It’s nothing to do with us, we’ve only just this minute seen one!’ …and I suppose decided just to keep the French name to save embarrassment.
"But that is rationality itself compared to what happened with the “French” horn.
"Right. The French horn. It isn’t French, or English… but it is a horn. So that’s something. (In fact, horn players just call it ‘the horn’, and they wish you would too, but they can’t make you.) This story is simpler than the cor anglais one, but even more gloriously stupid.
"The French were famous for making beautiful hunting-horn type horns: curly tubes that made a nice noise when you blew through them. Then the Germans came up with a more complicated horn with slides and crooks and valves and what-have-you. So British horn players started calling the horns they played in orchestras French Horns, to make it clear they were having nothing to do with those funny looking new German horns with all the bits hanging off them. But the thing is… slides and crooks and valves and what-have-you are a really good idea. You can play tunes with them and everything. So, before long, in a brilliantly British combination of ruthless pragmatism and equally ruthless face-saving, British horn players were playing German horns… but still calling them French horns.
"In summary then: the cor anglais, or English horn, is a Silesian oboe that the Italians thought the Germans thought was English, but the Germans actually thought looked angelic. Whereas the French horn is a German horn that the British called the French horn to distinguish it from the German horn… which is what it is.
"All clear? Good. Carry on."
This reminds me of my rant about how 'English Muffins' are neither 'English' nor 'Muffins'. Whereas 'French Toast' is arguably 'French' (or at least there's an tenuous culinary connection) and arguably 'Toast'.
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@renardboy The cor anglais is woodwind. https://en.wikipedia.org/wiki/Cor_anglais
No, me neither ¯\_ (ツ)_/¯
@davep
Yet the op keeps referring to it as a French horn
@renardboy -
@earwigplanet @davep nope. that's not the reason for the F
@zzoo
Not to mention they appear in keys other than F. Although just Bb and occasionally Eb, historical instruments aside.
@earwigplanet @davep -
John Finnemore on the French horn/cor anglais:
"I was idly wondering why the cor anglais has a French name meaning ‘English horn’, and the French horn has an English name meaning… well, ‘French horn’. I looked it up, even though I knew there would just be some reasonable but rather dull explanation.
"There isn’t. There is a completely bonkers explanation, in both cases. Here’s the first.
"So. The cor anglais isn’t English, or French. But that’s nothing, because another thing it isn’t is… a horn. It’s basically an overgrown oboe, and it’s from Silesia. But being thin with a bulb on the end, it looks a little like the trumpets angels are shown playing in medieval art.
"Or at least it did to the Germans, who started calling it the Engellisches Horn, or angel’s horn. Can you see the hilarious misunderstanding that’s about to happen? Well, that happened. The Italians thought the Germans called it the English Horn, so they translated it to corno inglese. The French got it from the Italians, and called it the cor anglais. The British got it from the French, and presumably stared at it, thought ‘We can’t call that an English horn! It’s nothing to do with us, we’ve only just this minute seen one!’ …and I suppose decided just to keep the French name to save embarrassment.
"But that is rationality itself compared to what happened with the “French” horn.
"Right. The French horn. It isn’t French, or English… but it is a horn. So that’s something. (In fact, horn players just call it ‘the horn’, and they wish you would too, but they can’t make you.) This story is simpler than the cor anglais one, but even more gloriously stupid.
"The French were famous for making beautiful hunting-horn type horns: curly tubes that made a nice noise when you blew through them. Then the Germans came up with a more complicated horn with slides and crooks and valves and what-have-you. So British horn players started calling the horns they played in orchestras French Horns, to make it clear they were having nothing to do with those funny looking new German horns with all the bits hanging off them. But the thing is… slides and crooks and valves and what-have-you are a really good idea. You can play tunes with them and everything. So, before long, in a brilliantly British combination of ruthless pragmatism and equally ruthless face-saving, British horn players were playing German horns… but still calling them French horns.
"In summary then: the cor anglais, or English horn, is a Silesian oboe that the Italians thought the Germans thought was English, but the Germans actually thought looked angelic. Whereas the French horn is a German horn that the British called the French horn to distinguish it from the German horn… which is what it is.
"All clear? Good. Carry on."
@davep
Ah, humanity! Awesome! -
@davep Oh dang, that explains it hahaha. I was thinking of this guy: https://en.wikipedia.org/wiki/French_horn
When I was in school and had music classes (in french, I'm in Québec), the name we used for this instrument was "cor" (no adjectives), so I'd always figured this was what the anglophones referred to as a french horn.
@renardboy
Yes, that's true generally. Cor=French Horn. Which makes the English Horn such wonky nomenclature.
@davep -
@davep
It is French, modeled after the French style hunting horns that work over the shoulder instead of the smaller English that were written on the belt. America is the only country to call it French, the rest of the world just calls it the horn.@rethnor Apart from an ex-colleague of mine in England who played it in a proper orchestra
Maybe he was dumbing down for the plebs?
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@davep
Yet the op keeps referring to it as a French horn
@renardboyI might want to change the OP to be more precise in explaining that they're two entirely different instruments.
Nah, can't be bothered
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John Finnemore on the French horn/cor anglais:
"I was idly wondering why the cor anglais has a French name meaning ‘English horn’, and the French horn has an English name meaning… well, ‘French horn’. I looked it up, even though I knew there would just be some reasonable but rather dull explanation.
"There isn’t. There is a completely bonkers explanation, in both cases. Here’s the first.
"So. The cor anglais isn’t English, or French. But that’s nothing, because another thing it isn’t is… a horn. It’s basically an overgrown oboe, and it’s from Silesia. But being thin with a bulb on the end, it looks a little like the trumpets angels are shown playing in medieval art.
"Or at least it did to the Germans, who started calling it the Engellisches Horn, or angel’s horn. Can you see the hilarious misunderstanding that’s about to happen? Well, that happened. The Italians thought the Germans called it the English Horn, so they translated it to corno inglese. The French got it from the Italians, and called it the cor anglais. The British got it from the French, and presumably stared at it, thought ‘We can’t call that an English horn! It’s nothing to do with us, we’ve only just this minute seen one!’ …and I suppose decided just to keep the French name to save embarrassment.
"But that is rationality itself compared to what happened with the “French” horn.
"Right. The French horn. It isn’t French, or English… but it is a horn. So that’s something. (In fact, horn players just call it ‘the horn’, and they wish you would too, but they can’t make you.) This story is simpler than the cor anglais one, but even more gloriously stupid.
"The French were famous for making beautiful hunting-horn type horns: curly tubes that made a nice noise when you blew through them. Then the Germans came up with a more complicated horn with slides and crooks and valves and what-have-you. So British horn players started calling the horns they played in orchestras French Horns, to make it clear they were having nothing to do with those funny looking new German horns with all the bits hanging off them. But the thing is… slides and crooks and valves and what-have-you are a really good idea. You can play tunes with them and everything. So, before long, in a brilliantly British combination of ruthless pragmatism and equally ruthless face-saving, British horn players were playing German horns… but still calling them French horns.
"In summary then: the cor anglais, or English horn, is a Silesian oboe that the Italians thought the Germans thought was English, but the Germans actually thought looked angelic. Whereas the French horn is a German horn that the British called the French horn to distinguish it from the German horn… which is what it is.
"All clear? Good. Carry on."
@davep My favorite one of this kind by far.
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John Finnemore on the French horn/cor anglais:
"I was idly wondering why the cor anglais has a French name meaning ‘English horn’, and the French horn has an English name meaning… well, ‘French horn’. I looked it up, even though I knew there would just be some reasonable but rather dull explanation.
"There isn’t. There is a completely bonkers explanation, in both cases. Here’s the first.
"So. The cor anglais isn’t English, or French. But that’s nothing, because another thing it isn’t is… a horn. It’s basically an overgrown oboe, and it’s from Silesia. But being thin with a bulb on the end, it looks a little like the trumpets angels are shown playing in medieval art.
"Or at least it did to the Germans, who started calling it the Engellisches Horn, or angel’s horn. Can you see the hilarious misunderstanding that’s about to happen? Well, that happened. The Italians thought the Germans called it the English Horn, so they translated it to corno inglese. The French got it from the Italians, and called it the cor anglais. The British got it from the French, and presumably stared at it, thought ‘We can’t call that an English horn! It’s nothing to do with us, we’ve only just this minute seen one!’ …and I suppose decided just to keep the French name to save embarrassment.
"But that is rationality itself compared to what happened with the “French” horn.
"Right. The French horn. It isn’t French, or English… but it is a horn. So that’s something. (In fact, horn players just call it ‘the horn’, and they wish you would too, but they can’t make you.) This story is simpler than the cor anglais one, but even more gloriously stupid.
"The French were famous for making beautiful hunting-horn type horns: curly tubes that made a nice noise when you blew through them. Then the Germans came up with a more complicated horn with slides and crooks and valves and what-have-you. So British horn players started calling the horns they played in orchestras French Horns, to make it clear they were having nothing to do with those funny looking new German horns with all the bits hanging off them. But the thing is… slides and crooks and valves and what-have-you are a really good idea. You can play tunes with them and everything. So, before long, in a brilliantly British combination of ruthless pragmatism and equally ruthless face-saving, British horn players were playing German horns… but still calling them French horns.
"In summary then: the cor anglais, or English horn, is a Silesian oboe that the Italians thought the Germans thought was English, but the Germans actually thought looked angelic. Whereas the French horn is a German horn that the British called the French horn to distinguish it from the German horn… which is what it is.
"All clear? Good. Carry on."
@davep John Finnemore is a genius
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@davep My favorite one of this kind by far.
@VioB @davep Except there is no place called "Torpenhow Hill". https://www.youtube.com/watch?v=NUyXiiIGDTo
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John Finnemore on the French horn/cor anglais:
"I was idly wondering why the cor anglais has a French name meaning ‘English horn’, and the French horn has an English name meaning… well, ‘French horn’. I looked it up, even though I knew there would just be some reasonable but rather dull explanation.
"There isn’t. There is a completely bonkers explanation, in both cases. Here’s the first.
"So. The cor anglais isn’t English, or French. But that’s nothing, because another thing it isn’t is… a horn. It’s basically an overgrown oboe, and it’s from Silesia. But being thin with a bulb on the end, it looks a little like the trumpets angels are shown playing in medieval art.
"Or at least it did to the Germans, who started calling it the Engellisches Horn, or angel’s horn. Can you see the hilarious misunderstanding that’s about to happen? Well, that happened. The Italians thought the Germans called it the English Horn, so they translated it to corno inglese. The French got it from the Italians, and called it the cor anglais. The British got it from the French, and presumably stared at it, thought ‘We can’t call that an English horn! It’s nothing to do with us, we’ve only just this minute seen one!’ …and I suppose decided just to keep the French name to save embarrassment.
"But that is rationality itself compared to what happened with the “French” horn.
"Right. The French horn. It isn’t French, or English… but it is a horn. So that’s something. (In fact, horn players just call it ‘the horn’, and they wish you would too, but they can’t make you.) This story is simpler than the cor anglais one, but even more gloriously stupid.
"The French were famous for making beautiful hunting-horn type horns: curly tubes that made a nice noise when you blew through them. Then the Germans came up with a more complicated horn with slides and crooks and valves and what-have-you. So British horn players started calling the horns they played in orchestras French Horns, to make it clear they were having nothing to do with those funny looking new German horns with all the bits hanging off them. But the thing is… slides and crooks and valves and what-have-you are a really good idea. You can play tunes with them and everything. So, before long, in a brilliantly British combination of ruthless pragmatism and equally ruthless face-saving, British horn players were playing German horns… but still calling them French horns.
"In summary then: the cor anglais, or English horn, is a Silesian oboe that the Italians thought the Germans thought was English, but the Germans actually thought looked angelic. Whereas the French horn is a German horn that the British called the French horn to distinguish it from the German horn… which is what it is.
"All clear? Good. Carry on."
@davep I was made, by ruthless parents, to play this instrument for many years. Reached some level of proficiency ntl, to everyones surprise (including my own), but hated every hour of it.
If I had had this wonderful story on hand at the time, I think it would have been more bearable.
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John Finnemore on the French horn/cor anglais:
"I was idly wondering why the cor anglais has a French name meaning ‘English horn’, and the French horn has an English name meaning… well, ‘French horn’. I looked it up, even though I knew there would just be some reasonable but rather dull explanation.
"There isn’t. There is a completely bonkers explanation, in both cases. Here’s the first.
"So. The cor anglais isn’t English, or French. But that’s nothing, because another thing it isn’t is… a horn. It’s basically an overgrown oboe, and it’s from Silesia. But being thin with a bulb on the end, it looks a little like the trumpets angels are shown playing in medieval art.
"Or at least it did to the Germans, who started calling it the Engellisches Horn, or angel’s horn. Can you see the hilarious misunderstanding that’s about to happen? Well, that happened. The Italians thought the Germans called it the English Horn, so they translated it to corno inglese. The French got it from the Italians, and called it the cor anglais. The British got it from the French, and presumably stared at it, thought ‘We can’t call that an English horn! It’s nothing to do with us, we’ve only just this minute seen one!’ …and I suppose decided just to keep the French name to save embarrassment.
"But that is rationality itself compared to what happened with the “French” horn.
"Right. The French horn. It isn’t French, or English… but it is a horn. So that’s something. (In fact, horn players just call it ‘the horn’, and they wish you would too, but they can’t make you.) This story is simpler than the cor anglais one, but even more gloriously stupid.
"The French were famous for making beautiful hunting-horn type horns: curly tubes that made a nice noise when you blew through them. Then the Germans came up with a more complicated horn with slides and crooks and valves and what-have-you. So British horn players started calling the horns they played in orchestras French Horns, to make it clear they were having nothing to do with those funny looking new German horns with all the bits hanging off them. But the thing is… slides and crooks and valves and what-have-you are a really good idea. You can play tunes with them and everything. So, before long, in a brilliantly British combination of ruthless pragmatism and equally ruthless face-saving, British horn players were playing German horns… but still calling them French horns.
"In summary then: the cor anglais, or English horn, is a Silesian oboe that the Italians thought the Germans thought was English, but the Germans actually thought looked angelic. Whereas the French horn is a German horn that the British called the French horn to distinguish it from the German horn… which is what it is.
"All clear? Good. Carry on."
Just checking, though: when Louis Armstrong (or Johnnie Ray) says "you coax the blues right out of the horn", they're not talking about either of these instruments, right?
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@pelicangut Excellent!
Talking of ill wind... https://infosec.exchange/@davep/116697786709919671
@davep @pelicangut Which reminds me of "If one was feeling uncharitable, one might describe the trumpet as a machine where you put in compressed air and divorce comes out".
https://mastodon.gamedev.place/@shanecelis/111994206711261437
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John Finnemore on the French horn/cor anglais:
"I was idly wondering why the cor anglais has a French name meaning ‘English horn’, and the French horn has an English name meaning… well, ‘French horn’. I looked it up, even though I knew there would just be some reasonable but rather dull explanation.
"There isn’t. There is a completely bonkers explanation, in both cases. Here’s the first.
"So. The cor anglais isn’t English, or French. But that’s nothing, because another thing it isn’t is… a horn. It’s basically an overgrown oboe, and it’s from Silesia. But being thin with a bulb on the end, it looks a little like the trumpets angels are shown playing in medieval art.
"Or at least it did to the Germans, who started calling it the Engellisches Horn, or angel’s horn. Can you see the hilarious misunderstanding that’s about to happen? Well, that happened. The Italians thought the Germans called it the English Horn, so they translated it to corno inglese. The French got it from the Italians, and called it the cor anglais. The British got it from the French, and presumably stared at it, thought ‘We can’t call that an English horn! It’s nothing to do with us, we’ve only just this minute seen one!’ …and I suppose decided just to keep the French name to save embarrassment.
"But that is rationality itself compared to what happened with the “French” horn.
"Right. The French horn. It isn’t French, or English… but it is a horn. So that’s something. (In fact, horn players just call it ‘the horn’, and they wish you would too, but they can’t make you.) This story is simpler than the cor anglais one, but even more gloriously stupid.
"The French were famous for making beautiful hunting-horn type horns: curly tubes that made a nice noise when you blew through them. Then the Germans came up with a more complicated horn with slides and crooks and valves and what-have-you. So British horn players started calling the horns they played in orchestras French Horns, to make it clear they were having nothing to do with those funny looking new German horns with all the bits hanging off them. But the thing is… slides and crooks and valves and what-have-you are a really good idea. You can play tunes with them and everything. So, before long, in a brilliantly British combination of ruthless pragmatism and equally ruthless face-saving, British horn players were playing German horns… but still calling them French horns.
"In summary then: the cor anglais, or English horn, is a Silesian oboe that the Italians thought the Germans thought was English, but the Germans actually thought looked angelic. Whereas the French horn is a German horn that the British called the French horn to distinguish it from the German horn… which is what it is.
"All clear? Good. Carry on."
@davep This reminds me of the type of sausage that's called a Wiener in Frankfurt and a Frankfurter in Vienna.
It's like nobody wants the responsibility.
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@davep Thank you. I love this kind of stuff.
This is only vaguely related, but I told my dad, who's in his 90's and a bit deaf, that I'd been to a viola de gamba concert. As you probably know, this is a large viol that's played between the legs (gamba) like a cello.
Anyway, he assumed Viola da Gamba was a musician's name, and that she must be from Gambia. Which was kind of cute, although the conversation was very confusing until I figured out why he'd suddenly started talking about Africa.
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I might want to change the OP to be more precise in explaining that they're two entirely different instruments.
Nah, can't be bothered
@davep @renardboy revel in the chaos!
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@davep
It is French, modeled after the French style hunting horns that work over the shoulder instead of the smaller English that were written on the belt. America is the only country to call it French, the rest of the world just calls it the horn. -
John Finnemore on the French horn/cor anglais:
"I was idly wondering why the cor anglais has a French name meaning ‘English horn’, and the French horn has an English name meaning… well, ‘French horn’. I looked it up, even though I knew there would just be some reasonable but rather dull explanation.
"There isn’t. There is a completely bonkers explanation, in both cases. Here’s the first.
"So. The cor anglais isn’t English, or French. But that’s nothing, because another thing it isn’t is… a horn. It’s basically an overgrown oboe, and it’s from Silesia. But being thin with a bulb on the end, it looks a little like the trumpets angels are shown playing in medieval art.
"Or at least it did to the Germans, who started calling it the Engellisches Horn, or angel’s horn. Can you see the hilarious misunderstanding that’s about to happen? Well, that happened. The Italians thought the Germans called it the English Horn, so they translated it to corno inglese. The French got it from the Italians, and called it the cor anglais. The British got it from the French, and presumably stared at it, thought ‘We can’t call that an English horn! It’s nothing to do with us, we’ve only just this minute seen one!’ …and I suppose decided just to keep the French name to save embarrassment.
"But that is rationality itself compared to what happened with the “French” horn.
"Right. The French horn. It isn’t French, or English… but it is a horn. So that’s something. (In fact, horn players just call it ‘the horn’, and they wish you would too, but they can’t make you.) This story is simpler than the cor anglais one, but even more gloriously stupid.
"The French were famous for making beautiful hunting-horn type horns: curly tubes that made a nice noise when you blew through them. Then the Germans came up with a more complicated horn with slides and crooks and valves and what-have-you. So British horn players started calling the horns they played in orchestras French Horns, to make it clear they were having nothing to do with those funny looking new German horns with all the bits hanging off them. But the thing is… slides and crooks and valves and what-have-you are a really good idea. You can play tunes with them and everything. So, before long, in a brilliantly British combination of ruthless pragmatism and equally ruthless face-saving, British horn players were playing German horns… but still calling them French horns.
"In summary then: the cor anglais, or English horn, is a Silesian oboe that the Italians thought the Germans thought was English, but the Germans actually thought looked angelic. Whereas the French horn is a German horn that the British called the French horn to distinguish it from the German horn… which is what it is.
"All clear? Good. Carry on."
@davep this is wonderful. It reminds me of listening to Peter Ustinov’s audiobook of The Orchestra when I was a kid. His exact tone and words are etched in my brain: “but it isn’t English…and it isn’t a horn!”
https://youtu.be/NGlUkiaeKCw?t=1195
(Timestamped link) -
John Finnemore on the French horn/cor anglais:
"I was idly wondering why the cor anglais has a French name meaning ‘English horn’, and the French horn has an English name meaning… well, ‘French horn’. I looked it up, even though I knew there would just be some reasonable but rather dull explanation.
"There isn’t. There is a completely bonkers explanation, in both cases. Here’s the first.
"So. The cor anglais isn’t English, or French. But that’s nothing, because another thing it isn’t is… a horn. It’s basically an overgrown oboe, and it’s from Silesia. But being thin with a bulb on the end, it looks a little like the trumpets angels are shown playing in medieval art.
"Or at least it did to the Germans, who started calling it the Engellisches Horn, or angel’s horn. Can you see the hilarious misunderstanding that’s about to happen? Well, that happened. The Italians thought the Germans called it the English Horn, so they translated it to corno inglese. The French got it from the Italians, and called it the cor anglais. The British got it from the French, and presumably stared at it, thought ‘We can’t call that an English horn! It’s nothing to do with us, we’ve only just this minute seen one!’ …and I suppose decided just to keep the French name to save embarrassment.
"But that is rationality itself compared to what happened with the “French” horn.
"Right. The French horn. It isn’t French, or English… but it is a horn. So that’s something. (In fact, horn players just call it ‘the horn’, and they wish you would too, but they can’t make you.) This story is simpler than the cor anglais one, but even more gloriously stupid.
"The French were famous for making beautiful hunting-horn type horns: curly tubes that made a nice noise when you blew through them. Then the Germans came up with a more complicated horn with slides and crooks and valves and what-have-you. So British horn players started calling the horns they played in orchestras French Horns, to make it clear they were having nothing to do with those funny looking new German horns with all the bits hanging off them. But the thing is… slides and crooks and valves and what-have-you are a really good idea. You can play tunes with them and everything. So, before long, in a brilliantly British combination of ruthless pragmatism and equally ruthless face-saving, British horn players were playing German horns… but still calling them French horns.
"In summary then: the cor anglais, or English horn, is a Silesian oboe that the Italians thought the Germans thought was English, but the Germans actually thought looked angelic. Whereas the French horn is a German horn that the British called the French horn to distinguish it from the German horn… which is what it is.
"All clear? Good. Carry on."
"The Mountbatten family is a British family that originated as a branch of the German princely Battenberg family. The name was adopted by members of the Battenberg family residing in the United Kingdom on 14 July 1917, three days before the British royal family changed its name from Saxe-Coburg and Gotha to Windsor. This was due to rising anti-German sentiment among the British public during World War I. The name is a direct Anglicisation of the German name Battenberg, which refers to a small town in Hesse. The Battenberg family was a morganatic line of the House of Hesse-Darmstadt, itself a cadet branch of the House of Hesse. "
