C
Alright, folks, that's all fifty two movies we watched on #Monsterdon this year! Tell me which movie you thought was The Best, The Worst, and The Most Fun To Monsterdon, and I'll take the top three from each category and put up a poll.
And at long last we will have a definitive, democratically-ordained choice as to Which Movie Sucks More! Let me have it 
And finally, #52! TIME WALKER (1982)! In which a mummy from space terrorizes a college campus!
Very made-for-TV-movie, it's somewhere between Animal House and ET, and not in a good way. Ben Murphy is vaguely annoyed at people on-screen, and the mummy mostly kills people by accident. And then Ben gets assumed into heaven by the Angel Alien Space Mummy! To be Continued?
It's not any better in context, I assure you.
#51, TALES FROM THE CRYPT (1971)! Five short stories OF HORROR! Featuring rich white English folk murdering people and then wondering why they're being sent to Hell.
A well-shot film with some genuinely good moments, it's also a real showcase for the anxieties of the early 70's upper-class Brit. Scary crazy people, scary homeless people, scary cheating spouses, scary disabled people, and on and on. Oh, and the second-to-last story where the man gets sent to hell because his WIFE wished badly? Yeah I still don't get that.
#50, THE SHE-CREATURE (1956)! A hypnotist uses a woman to bring primordial monsters back from the dawn of time! And to make a little cash on the side!
Huh, so the 50's had their own kind of grease, eh? Yeah, this is basically a badly-written story about an abusive relationship, which only gets resolved by the intervention of a controlling asshole that the narrative has designated The Good One. She-Creature should've whomped all of them.
#49, ATTACK OF THE PUPPET PEOPLE (1958)! A dollmaker invents a shrink ray and uses it to micro(heh)manage the people in his life!
Yeah, once again Burt I. Gordon and his Amazing Forced Perspective. Guy had literally one trick. Anyway it's pretty standard fare for Burt, but this film does annoy me a little more than usual because it doesn't actually have a resolution. The main characters literally just get un-shrinkified and then walk out of the film, and the credits roll. Guess we didn't need to know how the story ends, huh.
Nuuuumber... 48, THE ASPHYX (1972)! A scientist discovers the mechanism of all death, a shade he names The Asphyx! He learns to trap it, and gains the secret of eternal life!
...And then fucks it all up. Honestly you could do a very funny black comedy remake of this film where the doc accidentally kills his children in increasingly silly ways, because some of the ways he accidentally kills his children in this movie are PRETTY FUCKING SILLY.
Weirdly, it's a pretty well acted movie. Decently shot, too. It's just the premise and actual plot are *extremely* ridiculous.
#47, SPACE MASTER X-7 (1958)! A spacecraft returns to Earth carrying a sample of Martian dust that quickly grow into a fungus that consumes all!
Most of the film's really more of a police procedural thing where the scientists weirdly get authority to investigate by themselves, so the whole thing kinda feels like a Perry Mason episode where the criminal happens to be space fungus. Which COULD be fun, except nobody who worked on the movie seemed to know what fun was. Dry, dull, uninspired. Bleh.
46, ALLIGATOR (1980)! Jaws, But It's An Alligator This Time!
Yeah, there's not much to say here, it's a very by-the-numbers Jaws ripoff. Again, the monster has my complete backing and the main cast are assholes who deserve to get eaten. That scene where the rich people's wedding gets wrecked was *seriously* cathartic.
Hey, we're up to number 45, which is VAMPIRE ON BIKINI BEACH (1988)! A vampire cult starts murdering people on a beach! Where people wear bikinis! Yeah, nobody's watching this one for intellectual reasons, huh.
This one felt like a straight movie made by an otherwise fly-by-night organization for tax purposes. The acting is porn-quality, the effects make Party City look cutting edge, and the plot falls apart so fast it puts wet cardboard to shame. All of this on top of cinematography that needs new glasses.
Honestly the only thing that keeps me from voting for VoBB for worst movie of the year is the fact that the people making it were clearly having a blast. Like, it sucks, but at least SOMEONE got something out of it.
Uuuuh number 44, CRITTERS 3 (1991)! The Crites invade a decaying apartment building and attempt to eat the inhabitants!
Yeah, that's the Direct To Video sequel, huh. Rather low-key, and you could tell they only had a handful of Crite puppets to work with. Still, good cast -- the lesbian phone worker was a real delight. Also the old lady with a giant cleaver. I STILL think Charlie should've died at the end of 2, though, seeing him in 3 was like... Oh. It's YOU again 
#43, THE HOWLING (1981)! A news reporter barely escapes a serial killer, then goes to a retreat that turns out to be infested with werewolves!
Robert Picardo should do more weird murderers. I'm serious, he's really good at it. And the special effects for the transformations in The Howling were really excellent. The movie's plot is kinda whatever, the characters are mostly fairly stupid, but I did love the ending. That's a helluva way to spice up the 6pm newscast.
#42, PUMPKINHEAD (1988)! Callous Teens accidentally kill a man's son, and he goes to a witch to summon a monster to enact justice on them.
One of those films where most of the cast is assholes and the ones that aren't are just kinda stupid. Also the slasher parts have that kinda lurid air where you can tell someone's gettin' off on this. Not a terrible film, but I was more impressed with the fact that they let the woman kill the monster at the end instead of insisting the man do it.
Oh yeah, we did Vampires in October, didn't we? #41 is THE HUNGER (1983), a genuinely well-made movie! A thousand-year-old vampire who keeps her boyfriend thralls in the attic to power her immortality has a lesbian relationship, and it kinda blows up in her face.
Honestly really good, the acting is amazing the effects are *crazy good* (I honestly don't think I've ever seen Old People Makeup done better), the only real complaint I could see is that it's kind of a slow, floaty plot. Which I honestly don't mind. Probably my vote for best movie of the year.
Number 40, almost done now! FRIGHT NIGHT (1985) is next, an '80s vampire movie about a kid who believes his next door neighbor is a vampire!
Really the weirdest thing about this film is how different the first hour is from the last half hour. They literally spent all their money on the climax of the film, to the point where they couldn't afford to show the kid's car being wrecked by the vampire, they just TELL you it happened! And to be fair, the climax is VERY VERY GOOD! Zombie collapse particle effects! Giant bat puppets! Practical effects that SING AND DANCE, it's great! But wading through that hour of brown paper bag really is a trial.
Bup bup, we're on what, 39 now? That'd be THE FOOD OF THE GODS (1976). Marjoe Gortner goes to a little Canadian island and discovers some backwoods folk have a spring that bubbles up not boiling crude, but a substance that makes anything that eats it grow to huge sizes.
The best thing about this film is the picturesque Canadian wilderness. The worst thing about it is... Eh, everything else. The cast is annoying, the writing sucks, and Burt I. Gordon's forced perspective tricks had gotten played out ten years before this film released. Shoutout for being one of the few #Monsterdon films with an actual denouement, tho.
38, THE ANGRY RED PLANET (1959), in which the first exploration of Mars turns up an alien civilization and giant amoebas.
Honestly, if it weren't for the *absolutely eye-searing* red-light filter making most of the film borderline unwatchable, I'd be over the moon about this flick. It's less racist than you'd expect for a film from the 50's, the female scientist saves the day, and the pork pie-headed shoot-em-all dude gets slurped by a giant amoeba shortly after sexually harassing his gun -- all good news!
Still. That filter. Eeesh.
37, CREATURE FROM THE BLACK LAGOON (1954)! A classic of the "White People Fuck Around And Find Out" genre! The fishman gets all my sympathy here -- he's floating around happy as a clam, some goddamn ichthyologists drive up in a boat and start harrassing him, he fights back and they club him with a rock! Justice for fishman! JUSTICE!
Anyway the sequel is much, much worse and this one gets a huge number of points for having an awesome fishman costume.
Number 36, THE MAN FROM PLANET X (1951), in which yet another spaceship lands in the Scottish moorlands and has to face up to the fact that there's nothing there really worth conquering.
Another kind of bland nothing of a film, in my book The Man from Planet X would be a great PROLOGUE to an actually interesting film in which Earth is struggling to accept alien refugees. But I guess nobody in the 50's wanted to talk about that when they could have laser battles instead.
35, SWAMP THING (1982)! A botanist discovers a chemical formula that boosts plant growth! Then he gets doused in it, jumps in a swamp, and becomes a Thing!
Some great special effects and decently competent acting, my main issue with the film is it couldn't decide if its female protagonist was a femme fatale or a damsel in distress. Big shoutout to the final Furry Vs. Fern-y battle, though, more swamp creatures should have broadswords.
Thirty-four, GRIZZLY (1976)! Woof, we're back in Jaws purgatory. A hungry Grizzly bear prowls the woods eating people.
Aside from some *absolutely hilarious* special effects -- the final Grizzly Nuke will linger in memory for quite some time -- Grizzly (1976) is mostly notable for having no complete plot threads. It hints and things to come, and then just... Ends. Immediately. As soon as the Grizzly is dead. No resolution, just cut to credits. Which begs the question, if the director didn't care enough about the story to actually finish filming it, why did he think anyone else would?